What exhortation characterizes the song of Bacchus?
The ballad probably dates back to 1490 - two years before the author's death - and deals with the Laurentian theme par excellence: the exhortation to fully enjoy the joys of life (senses, beauty, love) in the awareness of their fleetingness. .
Poem "Triumph of Bacchus and Ariadne" by Lorenzo de 'Medici
How beautiful is youth, which nevertheless flees! who wants to be happy, either: of tomorrow there is no certainty. This is Bacchus and Arïanna, beautiful, and one another ardent: because time runs away and deceives, always together they are happy.
The refrain is in fact "Who wants to be happy, either / there is no certainty in tomorrow", just to emphasize the fact that we must fully enjoy the present, without placing our certainties in the future, precisely because it is too uncertain.
In the Triumph of Bacchus and Ariadne, Bacchus, Ariadne, Silenus, Midas, satyrs and nymphs are allegorical figures, that is, concrete and recognizable characters that refer to abstract concepts such as Youth, Beauty, Love, Sensuality and Greed , the inordinate desire for wealth and power.
Lorenzo de Medici's conception of love in this poem is naturalistic and hedonistic, but with hints of courtly tradition in verses 23-24. The poem mentions two characters from the myth, Silenus and Midas, metaphors of old age and greed for wealth.
Written on the occasion of the carnival of 1490, this dance song is a celebration of youth and the pleasures of life, as well as an invitation to enjoy love and other earthly joys when there is still the possibility, according to the line widely developed by the humanistic literature: the author exploits ...
The poet describes a colorful procession in the parade during the carnival made up of characters from classical mythology, with Bacchus, god of wine and joy, carried in triumph with Ariadne, his beautiful bride, beautiful and in love. Following are the nymphs and satyrs who jump and dance joyfully.
From the first to the twentieth verse, Lorenzo de 'Medici presents some aspects of a carnival procession in which the protagonists are Ariadne and the god of wine Bacchus, surrounded by nymphs and satyrs who dance, laugh and sing and above all let themselves be stunned by the love.
The characters of the poem are the god of wine and entertainment Bacchus and his wife Ariadne, daughter of the king of Crete, Minos, who helped the hero Theseus to penetrate the labyrinth, kill the Minotaur and find the way thanks to the famous thread , by Arianna in fact.
The Canzona di Bacchus is perhaps the best known carnival song that has come to us and was destined to be sung during a triumphal mythological procession, dedicated to the god of wine, Bacchus, accompanied by his wife, Ariadne. Metric, it is an octagonal ballad.
in Lorenzo de 'Medici the conception of love is very clear, which emerges from the famous ballad of the carnival songs Triumph of Bacchus and Ariadne. ... For Lorenzo, love is passion, carnal passion, not a feeling that raises the soul of the lover and simple carnality.
now heated by Bacchus, ballon, salton however. Who wants to be happy, either: 20 tomorrow there is no certainty.
BEAUTY YOUTH GRACE AND HARMONY IN THE TRIUMPH OF BACCHUS AND ARIANNA. Youth concept. The invitation to live today is aimed above all at young people who are the only ones who can live tomorrow. The term youth comes from the Latin iuvenis, meaning young.
Of tomorrow there is no certainty is a verse from the Canzona di Bacco, composed by Lorenzo de 'Medici, known as the Magnificent, on the occasion of the carnival of 1490.
Bacchus and Ariadne appear cheerful and happy, rejoicing, strongly in love with each other, they represent the maximum expression of cheerful, joyful youthful love, regardless of deceptive and fleeting time.
Lorenzo de 'Medici (The Magnificent)
The most precious asset we have is not something that can be bought, sold, much less owned.
The triumph of Bacchus and Ariadne is therefore an exaltation of the Horatian carpe diem (seize the moment, that is, enjoy the moment without thinking about the future) and it is certainly the most famous of these songs, with the famous refrain that reads: "Quant ' it is beautiful youth / that is fleeing nevertheless! "
The concept is the strength to enjoy the present without asking useless worries about the future, as expressed in the first four famous verses: “How beautiful youth / that one flees nevertheless! / Who wants to be happy, either, / of tomorrow there is no certainty. "
Bacchus (called Dionysus by the Greeks) is the god of wine and mysteries. It is the symbol of intoxication, sensuality and the most unbridled vitalism, which is manifested in the orgiastic rites in his honor; but he is also the god who assures the 'pure', the faithful initiated into his secret cult, a blessed fate in the hereafter.
The god is represented as a boy with a round face and in full health, the personification of abundance, also made up of other elements such as fruit, vine leaves and obviously the cup of wine, which are the hallmarks of Bacchus himself. .
Dionysus depicted on a Greek vase, to note in particular the ivy that he wears around his head (one of the symbols of the god), the cup (kantharos) full of wine and symbol of intoxication, the long beard often the prerogative of the god.
In Greek mythology Apollo, son of Zeus and Latona, was born on the island of Delos, in the Cyclades. There stood a temple of the god frequented by people from all over Greece. As a god of the arts, Apollo is often associated with the Muses and depicted with the lyre in his hands.
How beautiful is youth, which nevertheless flees! Who wants to be happy, either: there is no certainty of tomorrow. on top of the donkey is Silenus: so old he is drunk and happy, already full of flesh and years; if he can't stand up, at least he laughs and still enjoys it.
The triumph of Bacchus and Ariadne, also known as Canzona di Bacco, is a carnival song written by Lorenzo de 'Medici, known as the Magnificent, on the occasion of the carnival of 1490; carnival songs were a particularly popular musical genre in the Florence of the secc. XV and XVI.
"Whoever wants to be happy, there is no certainty of tomorrow." "Live joyfully if you want, tomorrow is not certain". Who wants to be happy, either: There is no certainty about tomorrow. Be happy, if you want to be: Of tomorrow there's no certainty.